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Tue 14.6.

Zebar by 3gatti (CN)

Posted by Malgorzata Stankiewicz on 14.06.2011 - Tagged as: , ,

Zebar by 3gatti; photo by Daniele Mattioli

3gatti, the Shanghai-based practice established in 2002 by an Italian architect Francesco Gatti has realised this cavern-like monochrome interior of a music bar located in the same eastern Chinese city. Reminiscent of an op-art painting, the design of Zebar was inspired by 3D modelling and encompasses

sequential parallel black-and-white plasterboard slices which have been meticulously cut by hand.

Zebar by 3gatti; photo by Daniele Mattioli

The venue also features a centrally-located circular bar counter, a sitting area and an elevated stage.


From the architect:


‘This project was born in 2006 when a Singaporean movie director and an ex musician from south of China decided to open a live bar in Shanghai. The budget was very low but the client was incredibly good and open-minded to us. The schedule was very tight and fortunately they immediately liked one of the first concepts I proposed to them: a caved space formed from of a digital Boolean subtraction of hundreds of slices from an amorphic blob. ‘

Zebar by 3gatti; photo by Daniele Mattioli

‘The idea looks complex but actually is very simple and was born naturally from the digital 3D modelling environments where me and others enjoy playing with virtual volumes and spaces. The space was subdivided into slices to bring it back from the digital into the real world; to give a real shape to each of the infinite sections of the fluid rhino nurbs surfaces.’

Zebar by 3gatti; photo by Daniele Mattioli

‘In Europe the natural consequence of this kind of design will be giving the digital model to the factory and thanks to the numeric control machines cut easily the huge amount of sections all different from each other. But we were in China where the work of machines is replaced by the work of low paid humans. Using a projector they placed all the sections we drew on the plasterboards and then cut each of them by hand. The cost was surprisingly low and the sense of guilt towards the workers higher.’

Zebar by 3gatti; photo by Daniele Mattioli

to 3gatti’s profile on Architonic


to the Zebar project on Architonic