With her series of wooden sculptures the German designer Judith Seng continues the research on conceptual surfaces. She explores the ideal of perfect surfaces by creating and destructing them within the same object. The upper parts of the pieces are perfectly high-glossy lacquered while the lower parts are roughly brushed. Thus the colour gradiant is a result of the changing structure of the surface.
The series is limited to a number of 33 pieces. The sizes depend on the found tree log.
Judith Seng exhibited among other German designers within their exhibition ‘Vorboten’ (engli.: ‘heralds’) at the Portobello Dock.