January 2022

Posts tagged as 'Bauhaus'

Mon 13.4.

‘Mikkel’ blankets by Kristine Five Melvær (NO)

Posted by Walter Phillips on 13.04.2015 - Tagged as: ,

'Mikkel' blankets by Kristine Five Melvær, photo: Erik Five Gunnerud

‘Mikkel’ blankets by Kristine Five Melvær, photo: Erik Five Gunnerud

Kristine Five Melvær’s ‘Mikkel’ blankets combine inspiration from the Bauhaus movement and traditional Norwegian weaving.



‘Contrast’ side tables by BCXSY

Israeli-born Boaz Cohen and Japanese-born Sayaka Yamamoto, the designer duo behind the Eindhoven-based practice BCXSY have realised this series of simple side tables called ‘Contrast.’ Part of a three-piece collection developed by BCXSY in collaboration with an Irish maritime cultural and educational centre Meitheal Mara, the construction of table was inspired by the traditional boat-building process while its clean lines and geometric form seem to hint at the Bauhaus aesthetics. (more…)

Fri 18.5.

Friday Food For Thought: Happy Bauhday Walter Gropius

Posted by Malgorzata Stankiewicz on 18.05.2012 - Tagged as: , ,

Graph of the educational curriculum at the Bauhaus, 1923 by Walter Gropius; image courtesy of Bauhaus-Archiv Berlin

Following our last week’s Friday Food For Thought post about the excellent ‘Bauhaus: Art as Life’ exhibition which recently opened at London’s Barbican, this week we revisit the famous art and design school once more but for a different reason. Thus, coincidentally, today marks the 129th anniversary of the birth of its founder, Walter Gropius (18 May 1883 – 5 July 1969).


To celebrate the birthday of one of the most influential and pioneering masters of modern architecture, here are some extracts of the then-revolutionary and hugely influential ‘Bauhaus Dessau – Principles of Bauhaus Production’, coined by Gropius in 1926:


‘The Bauhaus wants to serve in the development of present-day housing, from the simplest household appliances to the finished dwelling.


In the conviction that household appliances and furnishings must be rationally related to each other, the Bauhaus is seeking-by systematic practical and theoretical research into formal, technical, and economic fields-to derive the design of an object from its natural functions and
relationships.’ (more…)

Josef Albers and students in a group critique at the Bauhaus Dessau, 1928-29. The Josef and Anni Albers Foundation. © Phyllis Umbehr/Galerie Kicken Berlin/ DACS 2012 © Otto Umbehr (Umbo

‘Junge Menschen – kommt ans Bauhaus!’ read a 1929 promotional brochure written by the Swiss architect and second director of the Bauhaus school Hannes Meyer. Now, more than eighty years later, the same slogan has been inscribed above the entrance to London’s Barbican Art Gallery where a new, extensive exhibition surveying the world’s most famous modern art and design school has opened earlier this month. Set among customarily black, red and white walls, the Bauhaus: Art as Life is an impressive showcase (the biggest show dedicated to the 1919-founded school and its masters to be held in the UK for more than four decades) of more than 400 works spanning across the mediums of architecture, product design, furniture, painting, textiles, photography, film and theatre. (more…)

'Chairs without Legs' guest exhibition at the Bauhaus Archive Berlin; photo by Rainer Viertlböck

Originally developed in tubular steel by a Dutch architect and furniture designer Mart Stam in the 1920s, soon after its invention cantilever chair has found itself the centre of attention, inspiration and reinterpretation among some of the most prominent Bauhaus figures such as Marcel Breuer and Ludwig Mies van der Rohe. Later, in 1960s, Verner Panton has popularised the form by creating the now-iconic, curvilinear ‘Panton’ chair which, at the time, was the first cantilevered chair made from a single piece of plastic. Since then, the ‘chair without legs’ has been revisited and refashioned innumerable amount of times by designers from across the globe. Now, to celebrate the history and undeniable adaptability of cantilever chair, Munich’s International Design Museum has organised a special guest exhibition which opened earlier last week (21 March) at the Bauhaus Archive in Berlin. (more…)

Marcel Breuer, Lounge Chair B 3, second version 1926. Photo: Hartwig Klappert, Berlin, Stiftung Bauhaus Dessau

Marcel Breuer, Lounge Chair B 3, second version 1926. Photo: Hartwig Klappert, Berlin, Stiftung Bauhaus Dessau

Exactly 90 years ago Weimar saw the foundation of the institution which more than any other influenced the architecture, design and art of the twentieth century.

The Bauhaus was one of the first colleges of design, and in the 14 years of its existence it brought together not just many of the most important artists, architects, designers and graphic artists of the age but also provided a blueprint for the comprehensive design and modernisation of our industrial society. At the time neither the teachers, their students nor society as a whole were able to predict with what ease and universal validity the design principles of the Bauhaus would be adapted to a range of applications worldwide. The institution itself was forced by conservative political forces to change location a number of times, moving from Weimar via Dessau to Berlin, where the Bauhaus was closed down in 1933 under political pressure of the Nazis.

Walter Gropis, 1928, Photo: Associated Press, Berlin Bauhaus Archiv

Walter Gropis, 1928, Photo: Associated Press, Berlin Bauhaus Archiv

continue article @ Architonic

to the Architonic Selection ‘Bauhaus: The Originals’

Mon 20.4.

‘Straw Chair’ by osko+deichmann

Posted by Nora Schmidt on 20.04.2009 - Tagged as: , , , , , ,

osko+deichmann´s new interpretation of the classic Bauhaus-cantilever by Marcel Breuer

osko+deichmann´s new interpretation of the classic Bauhaus-cantilever by Marcel Breuer

During the Salone del Mobile the Berlin based designers osko+deichmann were invited to participate in the exhibition ‘Prophets & Penitents – Confessions of a chair’ at the Oratorio della Passione at Sant’Ambrogio, Milan. Their contribution will be a homage or new interpretation of the classic Bauhaus-cantilever by Marcel Breuer.

“Until today this Holy Grail remained untouched. Now, for the 90th anniversary of the Bauhaus, the Straw Chair brings the first innovation into tubular steel furniture for over 80 years: the kinked tube.”

more prodcuts by osko+deichmann

For technical support contact Alfred Giolai ‘Straw Chair’ by osko+deichmann