Casket with lib by Manfred Schmid
An important component of the Japanese art of lacquerwork is the special technique known as ‘urushi’, which uses many layers of wafer-thin, semi-transparent lacquer to create a surface of almost mystical radiance and sensual depth. Today the urushi guild is facing new challenges and is opening its doors to new members in order to safeguard the survival of its craft. The result is the establishment of a dialogue with modern designers from all around the world, whose fascination with Japanese lacquer craftsmanship has prompted them to create their own works using lacquer.
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'Objets mélancoliques' bronze objects by Frederic Dedelley, each of the objects has been produced by a limited edition of 6 plus 2 artist's proofs
Today sees the opening of an excellently-curated exhibition showcasing works of Swiss and international designers at a temporary exhibition- and work-space area in Zurich.
'Meshlamp', 2009, Edition of 10 + 1, by Werner Aisslinger
The HELMRINDERKNECHT contemporary design gallery in Berlin recently opened their new exhibition VASE vs. VASES. 15 international designers and artists, among them Alfredo Häberli, Oskar Diaz, Werner Aisslinger and Martí Guixé, have been invited to show their contemporary interpretations of this commodity item. The exhibition is open until 09 January 2010.
One of my favourite pieces is the work by Werner Aisslinger. To produce the vase, a specially crafted mould in the form of a bag and made out of fibre glass is filled with liquid glass and blown into a cylindrical wooden form. The mesh leaves its print in an uncontrollable process of dilation in the glass and makes each of the mesh lamp stands unique in its form and structure of surface. Each object is a unique piece. The techniques were developed in cooperation with the Centre for Glass CIAV Centre International D’Art Verrier, Meisenthal (France).
'Lineas' 2007, Edition 5 of each, by Alfredo Häberli
Alfredo Häberli designed a series or family of three vases made of pure glass, each individually banded with colored rubber bands which seem to hold the glass together, but are simply an instrument to divide the vase aperture in order to present single flowers or bouquets in the very same vase.
Objet mélancolique No 1, 2009, Edition of 6+1 by Frédéric Dedelley
In Dedelley´s vase the production process and the material are part of the design. The imperfection of an archaic production process (sand casting) and a good portion of fortuitousness due to his choice of material (Tombac, light alloy brass / a mixture of bronze and brass) determine the final shape of the vase. Small imperfections in shape, a vivid and accidental color and the rare quality of the surface provide the unique and outstanding beauty and distinctive character of this vase.
'Podium' (Gold / Silver / Bronze), 2009, Edition of 5+2 by Nicolas Le Moigne
to the HELMRINDERKNECHT website