Rubiks Kök, 2007 (Rubik's Kitchen) by Michael Johansson
Michael Johansson obviously likes things. The Swedish artist finds the ‘material’ for his overloaded installations – randomly selected objects – at flea markets. In terms of the way he uses them, it seems he doesn’t expect them to function or to be useful; the main requirement is they match the arrangement. He meticulously stacks and interlaces them to create highly composed, compact volumes and narrative assemblages.
Some of Michael Johansson’s works are currently showcased within the group exhibition ‘Meaning of Void’ at Galleri Christoffer Egelund in Copenhagen (May 21 – June 19, 2010).
Ghost II, 2009 by Michael Johansson
Strövtåg i tid och rum, 2009 (Strolls through time and space) by Michael Johansson
Cake Lift, 2009 by Michael Johansson
Green Piece, 2009 by Michael Johansson
Monochrome Anachron, 2008 by Michael Johansson
to the Michael Johansson website
Urban intervention and Miami icon 'The Living Room' by Robert Behar and Rosario Marquardt, 2001
Architonic talks to Miami-based artists Roberto Behar and Rosario Marquardt about the relation between art and architecture, and how public space has become more contested than ever.
Long before architects were commissioned to sign their names on skylines across the globe, artists were largely responsible for creating local icons. And few of those public artworks have achieved the notoriety of ‘The Living Room’. Created by Robert Behar and Rosario Marquardt, who work under the name R & R Studios, the 2001 installation arguably qualifies as the most widely recognised of their interventions in Miami, their adopted hometown since 1985.
'All Together Now', Denver, by Robert Behar and Rosario Marquardt, 2007
Since then, R & R Studios has continued exploring subjects that ‘The Living Room’ captured so well, such as the scale (and more generally, the attitude) of public monuments, urban life, and the perceived permanence of cities in works like ‘House of Cards’ for the Miami Art Museum and ‘All Together Now’ in downtown Denver. Here, Behar and Marquardt delve deeply into ‘The Living Room’ and discuss how recurring themes in its work reflect the state of American cities as well as the relationship between artistic and architectural practice.
to the interview @ Architonic
Addictlove by Tom Burr
A research project at the Institute for Theory at Zurich’s University of the Arts looks at current furniture works involving design and art.
Design and art
Ever since the modern concept of the autonomy of art created the necessity of dividing the two areas more than 100 years ago, designers and artists have again and again adopted each other’s design and production concepts. Today this practice can increasingly be observed in the structure of exhibitions, methods of production and sales channels.
do hit by Marjin van der Poll, 1999
However, with the existing differences in the ways these two disciplines see themselves and the debates taking place in the fields of art and design it does not appear useful simply to call for these borders to be broken down. On the contrary, in this project the all-inclusive research approach is applied to the examination of a modified concept of function within design, art theory and sociology, as well as their current relationship with the things that are created.
continue Article @ Architonic