Art Warehouse in Boeotia by A31 Architecture; photo by Yiannis Hadjiaslanis
Athens-based architectural practice A31 Architecture have realised this sombre, monolithic Art Warehouse located in a Greek village of Dilesi in Boeotia region. Developed as a workshop for an artist, the detached structure is made of reinforced concrete which was completed in three separate phases. (more…)
Sol LeWitt, Buried Cube Containing an Object of Importance but Little Value, 1968 - Visser collection – Photos Gert Jan van Rooij
An exhibition dedicated to the late Dutch furniture designer Martin Visser has recently opened at Maastricht’s Bonnefanten museum. Titled Martin Visser – collector, designer, free spirit, the show focuses on Visser’s significance for visual art, design and architecture in the Netherlands. On view until 17 June 2012, the exhibition showcases over a hundred paintings, sculptures, photographs and various works on paper from Visser’s extensive art collection, number of works in situ originally developed for Visser’s Bergeijk home in 60s and 70s, as well as eight furniture designs created by Visser such as the iconic 1958 sofa bed BR 02. (more…)
According to the Oxford English Dictionary, machine is ‘an apparatus using mechanical power and having several parts, each with a definite function and together performing a particular task.’ What happens however, if a meticulously devised machine happens to perform a task of a rather
indeterminate nature and is seemingly devoid of the aforementioned ‘definite function’ altogether? Well, it could either be a poorly engineered device, or the good old Rube Goldberg machine, whose most recent rendition by a Brooklyn-based kinetic artist Joseph Herscher has caught our attention. In the 2.08-minute clip, which has been watched by more than 5 million YouTube viewers since late December 2011, Joseph is seen seating by a table, ready to enjoy a perusal of a daily newspaper. Then he takes a sip of coffee…
Clyfford Still Museum by Allied Works Architecture - West Elevation; photo by Jeremy Bittermann
The New York-based practice Allied Works Architecture have recently realised this austere concrete museum building dedicated to the late American painter Clyfford Still. Completed earlier last month, the two-storey development houses 94 percent of the acclaimed Abstract Expressionist’s creative work which is displayed in museum’s nine light-filled galleries. Situated in the heart of Denver’s Arts District (near the Denver Art Museum by Gio Ponti and Daniel Libeskind, the Denver Public Library by Michael Graves, and the Colorado History Museum) Clyfford Still Museum totals 2650-square-meters and encompasses number of additional facilities such as a library, educational and archival resources, a conservation studio, and collection storage. (more…)
"Inspired by parasites which slip beneath the skin" - finger ring made from wire and porcelain, by Kathy Ludwig
With her highly conceptual graduation project the German born and Eindhoven based designer Kathy Ludwig blends decorative and pleasant aspects of classical jewellery with emotional, even nauseous, perceptions towards parasitic insects, funguses etc. Her organic body decorations are now in production by the Paris based Galerie BSL in a limited edition of 8.
On the occasion of this year’s Frieze Art Fair London’s most important exhibition of contemporary design art ‘Super Design’ will take place for the fourth time. Spread over 1,500 sqm the exhibition at London’s Victoria House will feature specially commissioned, unique and limited edition pieces from international galleries such as The Apartment, D&A-Lab, Quadrige, Mitterrand-Cramer, Tom Dixon and Vessel Gallery.
'Huts' on the facade of Centre Pompidou in Paris by Tadashi Kawamata, photo by Hervé Véronèse, Centre Pompidou, 2010
The Japanese artist Tadashi Kawamata is well known for his architectural installations made from humble, sometimes recycled materials such as cardboard boxes or disused timber. One of his newest creations are wooden huts hanging like wesp’s nests between the beams and pillars of the structural facade of Centre Pompidou in Paris. With their look of improvisation the small parasites build a strong contrast to the highly technical appearing “Refinery” – this is how Parisians call the Renzo Piano and Richard Rogers building from 1977.
'CORNER NO. 2' by Ron Gilad, photo with courtesy of Wright
With strong black outlines made from enameled brass Israel born and New York based artist Ron Gilad defines spaces of miniature architecture. Sometimes only a corner, sometimes a whole facade, the spatial fragments of his series ‘SPACES ETC.’ seem to question our relationship with the architectural environments. Trained as an industrial designer at the prestigious Bezalel Academy of Art and Design in Jerusalem Ron Gilad primarily worked on furniture, products, and tabletop objects. Today he obviously moves with between disciplines and materials.
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