It was the 100% Design in London last year when the Japanese architect Ryuji Nakamura sparked my intrest in her work for the first time. Then she presented her impressive chair ‘hechima 4’, a porous and light furniture – visually and physically. It is made of vulcanized fibres which are cut in a reticular and molded in a waved structure.
Her newest project is ‘blossom’ the interior design of a restaurant in Nagano, Japan. Again Ryuji Nakamura presented with a very poetic concept.
Here in the words of the architect:
“I decided to use the light that entered by a window barely. I wanted to make one to pick up the moving light sensitively and amplify it. So I thought I could make the place people did not get tired even if it was the closed space.
The room is painted white. And metallic plates to have shape of flower painted white similarly are past. If the thickness is reduced, the warp by heat is caused because a metallic plate is cut by the laser. I made the warp intentionally by selecting the thickness where a moderate warp was caused. The part that has stuck to the wall and the part away from the wall come by pasting the warping flower to a flat wall. The part that stuck to the wall assimilates with the wall, and the part away from the wall throws a shadow out to the wall and makes the outline come to the surface. The number of flowers is about 12000.”