Iina Vuorivirta’s polished brass ‘Nomad’ mirrors contain angles that reflect things that aren’t directly in front of them.
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Iina Vuorivirta’s polished brass ‘Nomad’ mirrors contain angles that reflect things that aren’t directly in front of them.
The blown glass part of Marianne Andersen’s ‘In Theory’ pendant, in one of a series, has a gradient that goes from coloured to clear glass in contrast with the pine wood centre containing the light source.
‘Torque’, a twisting take on a traditionally formal product, is Alessandro Isola and Supriya Mankad’s desk “transformed into a dynamic spatial object in tension with the straight walls of the space it occupies.
An excursion through the surrounding blocks around the Form Us With Love studio in the Sankt Eriksplan neighbourhood of Stockholm, yielded the patterns, colours and textures for a series of carpets called ‘Hidden Stockholm’ for Belgian carpet brand JoV.
Stockholm Design Week 2013 was host to a number of events including Örnsbergsauktionen 2013, an auction of independent design and craft.
Kristina Kjær’s ‘Strik’ armchair wears a knitted sweater over its wooden body. A comfortable armchair that consists of a frame made of ash wood and a knitted upholstery made of wool – a wooden “body” wearing a knitted “sweater”.
Caroline Brahme’s award-winning ‘Grey to Green’ is a series of paving stones that can “host vegetation”. The goal is to integrate more greenery in the urban fabric, transition away from grey concrete to green vegetation, for as Brahme points out, “cities depend on nature’s ecosystem to function properly.”
The origin of Sverre Uhnger’s ‘Oo’ table lamp design was the Norwegian designer’s fascination with lathed wooden spheres “and how the same shape in different sizes relates to each other.”